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Perfect Valentine

There’s magic in the air tonight
As every star is shining bright
And tables dressed with candlelight
Adorn the moonlit deck.

You gaze into her lovely eyes,
Having come to realize:
Without her in your life, surprise,
You still would be a wreck.

But ever since she came along,
Your days have all been filled with song,
And everything would just feel wrong
Were she to leave your life.

So slowly you begin to smile
As you adore her for a while,
Thinking to yourself that “I’ll
Ask her to be my wife.”

And so you take her by the hand
And gradually begin to stand
Before you drop to one knee and
Request that she’ll “be mine”.

The question “Will you marry me?”
Is followed by her shouts of glee
As you embrace her lovingly,
Your perfect Valentine!

What If? Writing Prompts: Romance VI

Welcome to the first day of February! The month of love has rolled around once again, so why not start it off with some new “What If?” Writing Prompts? This week’s batch features prompts in the genre of – you guessed it – romance. See what love stories you can create from these ideas! Enjoy!

What if… you found your soulmate, but none of your family or friends approved of them?

What if… you were in love with someone who hated you?

What if… people had to rely on the intuition of animals to help them find their perfect match?

What if… marriage for love were banned?

What if… there were no such thing as love stories?

Have fun spinning more tales of love and romance!

If you have any “What If?” writing prompt suggestions (for any theme), please feel free to share them in the comments below. Ideas I like may be featured in future “What If?” posts, with full credit and a link to your blog (if you have one)! Also, if you’ve written a piece based on an idea you’ve found here, be sure to link back to the respective “What If?” post. I would love to see what you’ve done with the prompt! Thank you!

Word of the Week: Iconoclast

Word: iconoclast

Pronunciation: ai-KAH-nə-klast

Part of Speech: noun

Definition: a person who attacks cherished beliefs or institutions

Source: Oxford Dictionaries


Here’s a word that’s made it on many vocabulary prep lists, or at least the ones I’ve studied. I remember always being intrigued by this word when I came across it in my flashcard stacks because it sounded so unusual and poetic. Of course, its definition isn’t quite as lyrical as its tone might suggest; I’d be interested in reading about an “iconoclast”, but not in being one!

An “iconoclast” is someone who criticizes or attacks cherished institutions or beliefs. The word arose in the mid 17th century in the sense “destroyer of religious figures” and comes from the Greek noun eikonoklástēs, meaning “breaker of images”. This noun in turn comprises the noun eikṓn “figure” and the verb klázō “to break”.

Aside from its primary definition, “iconoclast” can also refer to “a destroyer of images used in religious worship”. Oxford Dictionaries’ entry lists two historical examples as sub-definitions: 1) “a supporter of the 8th- and 9th-century movement in the Byzantine Church that sought to abolish the veneration of icons and other religious images”, and 2) “a Puritan of the 16th or 17th century”. If you’ve created a character who attacks or criticizes certain religious beliefs, institutions, or images, you’re definitely writing an “iconoclast” into your stories!

What are your thoughts on this word? Any suggestions for future “Word of the Week” featured words?

Off The Bookshelf: Pride and Prejudice

Welcome back to my Off The Bookshelf segment! It’s been almost a year since I’ve written a book review for my blog, which is a shame since I do love recommending my favorite novels. The good news is that I read several new books last year and plan to read even more this year, so I’ll have plenty of material to work with in 2017!

So today, I’d like to start off this year’s reviews with my favorite novel from my 2016 list: Pride and Prejudice by Jane Austen!

Pride and Prejudice, by Jane Austen

Summary

First printed in 1813, Pride and Prejudice is Jane Austen’s second published novel and one of the most beloved works in English literature. The novel follows the story of Elizabeth Bennet, an exceptionally clever young woman and the second of a country gentleman’s five daughters, as she navigates issues of manners, morality, education, and romance in the landed gentry society of the British Regency. Among her greatest challenges is dealing with Mr. Darcy, a gentleman with great wealth and even greater pride with whom she repeatedly clashes. As their relationship progresses, both Elizabeth and Mr. Darcy come to learn that first impressions are often misleading, and that they must overcome their pride and their prejudices before the story can reach its happy conclusion.

Review

Every so often, you come across a story so well written, so absolutely brilliant that it draws you in from the first sentence and keeps you hooked to the very last page. Such was my experience with Pride and Prejudice, a literary masterpiece from a brilliant mind of the turn of the 19th century. Jane Austen’s novel is still beloved by many readers today, and with good reason: it’s a comedy that covers some of humanity’s most relatable issues – love, marriage, etiquette, wealth, and morals – all from the perspective of an astute young heroine who challenges and overcomes the obstacles of her social position to achieve her happy ending.

Movie poster for Pride and Prejudice (2005)

Naturally, a central theme in Elizabeth’s story is the difference between the superficial and the indispensable, as well as the emotional development that comes with learning to distinguish the two. After all, there’s a reason the novel was originally titled First Impressions. In the beginning, the protagonist has a habit of forming her opinions of people immediately and consolidating those opinions through selective observation, a practice she believes is a credit to her intelligence. As a result, she dislikes Mr. Darcy from the day she meets him and grows to despise him the more time she spends with him, while Mr. Wickham earns her favor instantly with his charm and apparent good breeding. Halfway through the story, however, Elizabeth discovers that her preconceptions of both gentlemen were misplaced, proving that appearance isn’t always the best indicator of worth. The same lesson is learned by Mr. Darcy, who initially believes his proud behavior to be justified but is promptly put in his place by a woman he once thought was beneath him. Fortunately, both these characters prove mature enough to shed their most prominent flaws in favor of the romance that will make them “the happiest couple in the world”. First impressions are powerful, but thankfully they don’t always stick!

Another of my favorite themes of the book is the only-too-familiar contrast between proper behavior and real character. Throughout the narrative, it’s made apparent that while everyone behaves politely, some characters only do so to maintain a respectable place in high society while others are genuinely good at heart. A notable example comes up during a scene in Netherfield: when Elizabeth arrives at the Bingleys’ estate to take care of her sister Jane, who has fallen ill, all three of her hosts smile and treat her with the utmost kindness and hospitality. The second she leaves the room, however, Caroline and Louisa start criticizing Elizabeth’s dirty clothes while Charles remarks on how much she must love her sister to have walked so far on muddy roads just to see her. Even among siblings, people can vary greatly in character, but good manners are universal!

Austen was always an expert at implementing irony and satire in her writing, and Pride and Prejudice is no exception. Being witty and lively by nature, much of Elizabeth’s perspective includes hints of criticism about her reality: the influence of her family’s low income on their social standing (e.g. Jane’s failed friendship with Caroline Bingley), the excessive pride of some of her wealthier acquaintances (e.g. the unintentional insults in Mr. Darcy’s proposal), marriage as a requirement for women to secure a respectable position in society (e.g. Charlotte Lucas agreeing to marry Mr. Collins, a man she doesn’t love). And while the author didn’t necessarily discourage the following of such social rules in her novels, she did present them in a comical light that at least called these societal standards into question.

Overall, Pride and Prejudice is a fantastic novel that I would highly recommend to anyone who enjoys clever insights into human thoughts and behavior. For romantics and realists alike, this story has something for everyone and will surely continue to captivate audiences for generations, broadening our perceptions of the societal norms by which we live. To anyone who loves literature, it’s certainly an enlightening and delightfully entertaining read!

Inspiration

Ms. Austen’s beloved novel is one of those classic pieces of fiction that remains relevant long after its time. Though the story takes place in the early 19th century, its themes of social conduct, proper etiquette, and first impressions are still universal in the modern world. Whenever I need inspiration for character development, I know I can turn to an Austen novel for insight on general behavior and the restrictions of polite society to better understand how people think and function in everyday life. Basically, Pride and Prejudice is an excellent example of a point I’ve made in the past: that historical fiction can show us the elements of human nature that don’t change over time.

If you’re a historical fiction author or a writer of stories about the human condition, Pride and Prejudice will definitely be a great source of inspiration for your characters, whether they’re 19th-century country folk, 21st-century city dwellers, or anything in between. The greatest stories are those that explore what it means to be human, which makes it no surprise that this novel always appears near the top of best-books-ever-written lists. So if you haven’t yet, I strongly urge you to pick up a copy of Pride and Prejudice and see for yourself what a delightful read it truly is. You may find to your amazement that despite having lived so long ago, Jane Austen can still teach you a thing or two about the ironies of your economic and social reality!

Word of the Week: Excoriate

Word: excoriate

Pronunciation: ik-SKO-ree-ayt / ek-SKO-ree-ayt

Part of Speech: verb

Definition: censure or criticize severely

Source: Oxford Dictionaries


Have you ever witnessed someone say or do something so ridiculously stupid that to “criticize” them just wasn’t enough? Maybe you feel you’ve overused words like “censure” and “condemn” in your writing and find yourself looking for a fresh alternative. If so, you’re in luck, because just this month I learned a new word that addressed this same issue for me, a word that instantly caught my eye as an interesting potential addition to my vocabulary list. When people act far too dully for ordinary criticism, it may be time to “excoriate” them instead!

To “excoriate” someone is to criticize or censure them severely. The word arose in late Middle English and comes from the Latin verb excoriare, meaning “to skin”. This verb in turn consists of the preposition ex “out of” and the noun corium “hide”.

Though I wasn’t yet familiar with “excoriate”, the tone of the word and the context in which I saw it made it easy to understand from the moment I first read it. It’s worth noting that “excoriate” has a more formal connotation that “criticize”, so you may want to spare it for narrative writing over dialogue. If your characters tend to censure each other in the sharpest manner possible, “excoriate” could be an excellent addition to your vocabulary list!

What are your thoughts on this word? Any suggestions for future “Word of the Week” featured words?

About J.C. Wolfe

J.C. Wolfe is a fiction writer, biologist, and aspiring novelist of science fantasy and romance. A natural-born American and graduate in Marine Ecology from a university in Brazil, J.C. now writes for a living in California while spending free time blogging and penning stories and poetry.

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