It’s the first week of October, so regular readers of mine, you know the drill: it’s time to dive once again into my all-time favorite story, Romeo & Juliet! In the past, I’ve covered five points in the story that are often missed, the reasons it really is a great love story, a review of the book with both the play and the musical adaptation, and five lessons about love that can be learned from this story. Now I’m ready to cover even more of this timeless classic!
This year, I decided to dig a little deeper into the story and dedicate my annual R&J post to the literary devices that uphold it. So on that note, here are five major themes and motifs in Shakespeare’s Romeo & Juliet. Enjoy!
1) The Power of Love
But my true love is grown to such excess / I cannot sum up sum of half my wealth. – Juliet Capulet (2.6.33–34)
This one is kind of a given, but it’s such a prominent theme in Romeo & Juliet that it forever warrants a place at the top of the list. Though debates reign about the extent of the roles of fate, hatred, and violence in the play, it’s obvious that love is by far the most powerful force in this story. It brings the young lovers together, motivates them to risk everything to be together, and drives them to their tragic end. So let’s explore how powerful love really is in Romeo & Juliet, shall we?
“Then have my lips the sin that they have took.” (1.5.110)
Romeo and Juliet share their first kiss (Romeo + Juliet, 1996)
To start, it’s important to define the type of love that dominates the play. There’s no question that the love in Romeo & Juliet is romantic, but what often gets overlooked is the fact that it’s also amoral. While other poets before him romanticized love as a beautiful and pure emotion, Shakespeare was more interested in portraying it as an intense and violent force that drives people into chaos and overpowers all other priorities, including life itself.
“You kiss by th’ book.” (1.5.112)
Romeo and Juliet find a moment of privacy at the Capulet Ball (Romeo & Juliet, 2013)
The greatest evidence of love’s intensity in Romeo & Juliet is the wide variety of descriptions and metaphors it receives throughout the play. In the sonnet that makes up Romeo and Juliet’s first conversation, love is described in religious terms, while in the prologue of Act II, the feeling is equated to magic. Its dangers are also mentioned by other characters: Friar Laurence warns Romeo about the fickleness of young love, while Mercutio’s Queen Mab speech outright criticizes the delusions of lovers’ dreams. Juliet even loves Romeo so much that she hardly has enough words to express her feelings all at once. Every character in the play seems to have an opinion on love, yet not one of them manages to describe it completely. It seems love, at least according to Shakespeare, is so powerful that it can’t be contained in any one definition.
Though the love in Romeo & Juliet is romantic, it’s far from idealized. Unlike the cheesy version in the bad poetry Romeo recites about Rosaline, Shakespeare’s depiction of love is a far more passionate and chaotic emotion that can evoke an astonishing amount of beauty and tragedy in a short period of time. No wonder this story is still so popular today; every time I read it, there’s something new to learn about love!
2) The Inevitability of Fate
A greater power than we can contradict / Hath thwarted our intents. – Friar Laurence (5.3.153–54)
The star-crossed lovers meet their untimely end (Romeo + Juliet, 1996)
If love is the strongest theme in Romeo & Juliet, fate is a close second. From the opening lines of the chorus, it’s made clear to the audience that the young lovers are pretty much doomed from the start. While there is a solid argument that society is really to blame for Romeo and Juliet’s deaths, the fact that Shakespeare peppered his play with references to fate, fortune, and the stars hints at the idea that every circumstance leading up to the main characters’ tragic end was always out of their control.
Notably, the role of fate in this story isn’t just clear to the audience; it’s also evident to the characters themselves. Through the second half of the play, after Mercutio and Tybalt are killed, death always seems to linger in the corner of the lovers’ minds. They’re both haunted by omens—such as each other’s pale faces after spending the night together or Juliet’s vision of Tybalt’s ghost before taking the sleeping potion—and though they try to stave off the looming threat of tragedy, it soon becomes clear that their story can only end in their untimely deaths.
The inevitability of fate is emphasized by the many forms it takes throughout the play:
- The feud between the Capulets and Montagues, which is purposely never explained
- References to fate by the characters – “O, I am fortune’s fool!” (3.1.141), “Then I defy you, stars.” (5.1.24)
- Friar Laurence’s letter failing to reach Romeo
- Romeo dying just before Juliet wakes up
While fate often seems like an external and impersonal divine force driving the characters’ lives, it also manifests as the direct forces influencing Romeo and Juliet’s choices. The rivalry between the noble households culminates in the double murder that complicates the lovers’ marriage, and Capulet’s decision to change the day of the wedding contributes to the rush of events that leads to the final tragedy. Even the protagonists themselves play directly into the hands of fate. The irony of Romeo’s decision to die alongside Juliet is that by trying to defy fate, he inadvertently brings it about: Juliet kills herself as soon as she finds him dead, thus completing the tragic sequence of events set in motion from the play’s very first scene.
Juliet stabs herself with Romeo’s dagger and dies by his side (Romeo and Juliet, 1968)
Much like love, fate in Romeo & Juliet is an amoral and overpowering force that none of the characters can resist. Despite all their efforts to love each other in peace, Romeo and Juliet can never escape their tragic destiny as the “pair of star-crossed lovers” who “take their life”, immortalizing them as the ill-fated couple of one of the greatest love stories ever told.
3) The Duality of Passion (Love and Violence)
If the entire story of Romeo & Juliet could be summed up in one word, that word would be passion. Almost every scene in the play involves characters succumbing to powerful emotions that drive their actions and, consequently, the plot. Observe:
“My bounty is as boundless as the sea, / My love as deep; the more I give to thee, / The more I have, for both are infinite.” (2.2.133–35)
Act I: Montague and Capulet servants fight each other in the street (establishing the long-standing feud), Romeo agrees to attend the Capulet ball for the chance to see a girl he thinks he loves, Romeo and Juliet meet and fall in love at first sight
- Act II: Romeo risks death by trespassing into the Capulet orchard to see Juliet again, Romeo and Juliet declare their love for each other, Romeo proposes to Juliet the next day (via the Nurse), Romeo and Juliet get married
- Act III: Tybalt challenges Romeo to a duel for crashing the Capulet ball, Mercutio fights Tybalt to defend Romeo’s honor, Tybalt kills Mercutio, Romeo fights and kills Tybalt to avenge Mercutio, Romeo almost kills himself out of guilt, Romeo spends the night with Juliet, Capulet threatens to disown Juliet if she doesn’t marry Paris in two days
- Act IV: Juliet threatens to kill herself if Friar Laurence can’t help her get out of marrying Paris, Capulet gets so excited about Juliet becoming obedient that he moves the wedding up to tomorrow, Juliet drinks the sleeping potion Friar Laurence gives her to fake her death
- Act V: Romeo buys poison to kill himself after hearing that Juliet has died, Paris blocks Romeo from entering the Capulet tomb upon assuming he’s there to vandalize Juliet and Tybalt’s bodies, Romeo kills Paris outside the Capulet tomb, Romeo drinks the poison and dies beside Juliet, Juliet wakes up and stabs herself with Romeo’s dagger, Montague and Capulet reconcile over their children’s deaths
Notice how virtually every important action in this play is caused by some intense emotion, whether it’s overpowering love or violent hatred. What’s especially intriguing about the passion in Romeo & Juliet is that love and violence, however polar they may seem, are constantly intertwined. Indeed, the shadow of death hangs over the play’s characters from the prologue to the final scene, and it always manifests as a consequence of passion, as much in love as in hate.
“Ha, banishment? Be merciful, say death.” (3.3.12)
The connection between love and violence in Romeo & Juliet is most evident in the actions and thoughts of the lovers themselves. Both Romeo and Juliet threaten to kill themselves at the first obstacle to their love, each one imagines the other looking dead the morning after their wedding night, and their intensely passionate “star-crossed love” culminates in their double suicide. While their goal is always to keep their love pure, the fact that they both resort to violence to achieve that end supports the story’s major theme of passion as a powerful and blinding force that few can resist.
By all accounts, passion seems to be the cause of all the conflict and grief in Romeo & Juliet. Then again, without passion, there would be no story in the first place, would there?
4) Light and Darkness
More light and light, more dark and dark our woes. – Romeo Montague (3.5.36)
“Gallop apace, you fiery-footed steeds” (3.2.1)
A particularly prominent motif in Romeo & Juliet is the imagery of light and darkness. This motif manifests most frequently in night and day, as much of the action in the play happens either at night or in the morning. And while it doesn’t necessarily highlight any moral statement, the light and dark imagery of Romeo & Juliet does provide an interesting contrast throughout the story.
The most famous example of this imagery is during the balcony scene when Romeo describes Juliet as the sun, being so beautiful and radiant that she has the power to turn night into day. Another well-known example of this contrast is the morning after their wedding night, when the lovers playfully argue about the time of day before Romeo leaves for Mantua. These scenes highlight differing perspectives of the world and emphasize how Romeo and Juliet seek refuge in their love to oppose the reality that threatens to separate them.
“Wilt thou be gone? It is not yet near day.” (3.5.1)
Unlike many other stories that use this motif to symbolize good and evil, the light and darkness in Romeo & Juliet are far more neutral. The lovers favor darkness because it gives them the privacy they desire, yet they see only light in each other. And although it never plays a direct role in their story, the contrast of light and dark does permeate the play until it culminates in a final poetic union: the darkness of Romeo and Juliet’s deaths and the light of hope in their families’ reconciliation.
5) Individuality vs. Social Conformity
“Alla stoccata carries it away.” (3.1.77)
While love and fate pull most of the strings in Romeo & Juliet, the lives of the main characters are further complicated by the obstacles imposed by their society. Throughout the story, Romeo and Juliet struggle (with varying degrees of success) to defy the social institutions that oppose their love, such as:
- Family and patriarchy
- Law and social order
- Masculine honor
Yet despite the challenges they face, the young lovers repeatedly prove that their love is stronger than the social norms that threaten to keep them apart. Juliet defies her father’s authority in order to marry the man she loves and remain loyal to him to the end. Romeo compares Juliet to the sun and considers her more beautiful than the goddess of the moon, while Juliet refers to Romeo as the “god of my idolatry” (2.2.114). While still banished, Romeo returns to Verona to see Juliet one last time before he dies. Romeo refuses Tybalt’s challenge for Juliet’s sake (though he later succumbs to the pressure of honor after Mercutio is killed).
By constantly rebelling against their world, Romeo and Juliet establish themselves as individuals who seek to distance themselves from the obligations their public social lives impose upon them. Yet despite their best efforts to rebel through individuality, these social institutions continue to force them further into a corner until they’re left with only one option for escape. If anything, the greatest tragedy of Romeo & Juliet is that as powerful and beautiful as their love is, they can only find peace from their poisonous society through the ultimate form of darkness and privacy: an eternity together in death.
“For never was a story of more woe, / Than this of Juliet and her Romeo.” (5.3.309–10)
What are your thoughts on these themes and motifs in Romeo & Juliet? Any other interesting themes you would add to this list?
Writers need a lot of support to make it through their careers. For many of us just starting out, the bulk of that support comes from family, and of all the relatives who motivate you, few do it better than your mom. Given that she’ll always love you no matter what, you know she’s been there for you since the beginning of your life, and she’ll always be there for you to the end!
This week marks a special occasion for that amazing woman in my life, so today I want to honor her with a creative writing post highlighting all the awesome ways she’s supported my dream to be a writer. For your consideration, here are ten signs your mom is the biggest supporter of your writing career. Thanks for all your support, Mom!
1) She gave you the book that made you want to become a writer in the first place – In my case, that was Charlie and the Chocolate Factory, a book my mom had read as a child and recommended to me when I was nine years old. It changed my life!
2) She’s bought you dozens of books throughout your life – From a Roald Dahl collection to the Harry Potter series to The Mists of Avalon, much of my writing has been inspired by books my mom gave me when I was growing up. If your mom gave you plenty of books when you were a kid, you’ll likely find traces of those in your writing too!
3) She didn’t laugh when you told her you wanted to grow up to be an author – If anything, she encouraged your dream and promised to read every single one of your books (which of course you promised to give her free copies of). Bonus points if she bought you the books and/or courses on writing that helped you get there.
4) She brags to everyone she knows that her daughter/son is a writer – Maybe this embarrasses you a little, since most writers prefer to keep to themselves, but hey, free marketing is always a plus!
5) She’s always the first to read your stories – And she loves every single one. Seriously, you could probably write the goriest thriller ever and your mom would still tell you she enjoyed it (though it might be safe to assume she at least skipped over some parts).
6) She’s always the first to review your books – And it’s always five stars across the board. You couldn’t ask for a more devoted fan!
7) She thinks everything you write is amazing – Your mom can never find a single flaw even in the first drafts of your work. This makes her a terrible beta reader but an excellent motivator!
8) She insists that you’re a better writer than most famous authors – And even though you know it’s not true, you appreciate that she’ll always be your biggest fan.
9) She encourages you to keep writing even when you want to give up – She didn’t invest all that time and energy supporting you just to watch you quit on your dreams. Now get back to writing that future bestseller!
10) No matter how successful you really are, you’ll always be a bestselling author in her eyes! – And could you really ask for greater support than that?
Is your mother your biggest fan? How many of these signs fit her? What other signs would you add to this list?
Today’s post is dedicated to my mother, whose love and support have always kept me going on my writing journey. Happy Birthday, Mom! I love you!
Remember that post I shared last week about the hard truths of being a writer? Well, fear not; I promise you that was only half of the big picture. After all, why would anyone choose to write if it only ever brought misery? Being a writer can be just as rewarding as it is frustrating, and if you can power through its challenges, you’ll find an incredibly adventurous and fulfilling path ahead.
So for those of you who choose to follow this path, here are six perks of being a fiction writer that you can look forward to. Happy writing!
Writing Perk #1: You have the power to create anything.
In a way, fiction writers make up their own class of superheroes. Some people have super strength, others are incredibly smart, and still others excel at almost everything they try. But writers? We have the ultimate gift: the power of creation.
While I envy visual artists for their ability to draw, I’d still favor being a writer any day. The ability to paint vivid images with language is a special form of art with its own challenges, and when done right, it can be even more effective. A picture may be worth a thousand words, but imagery through words alone is an exercise for the imagination.
Anyone who’s ever tried writing a novel—especially a fantasy or science fiction novel—is familiar with the concept of “world building”. There’s much more to storytelling than conflict; you must create characters and settings to bring that conflict to life. And in my experience, there’s nothing quite as thrilling as the power to create an entire universe and direct the fates of its inhabitants any way you want. Besides, at what other job can you openly say you kill people for a living? Writing may not be the highest paying job in the world, but it certainly has benefits you can’t get anywhere else!
Writing Perk #2: You regularly exercise your mind and imagination.
There’s nothing like writing a story to get those creative juices flowing. It’s no secret that writing has several psychological benefits such as catharsis and improved learning, and writing fiction has the added benefit of exercising the imagination. Creativity is always a useful skill, so you can never have too much of it!
By regularly creating characters, settings, and plots, you exercise the ability to see situations from various perspectives and open your mind to all sorts of possibilities, as much in fiction as in real life. Practice with conflict resolution in fiction can also be surprisingly helpful when it comes to real-world problem-solving, as you’ll likely be able to foresee problems more easily and find better solutions. And if not, at least you’ll have another story to tell when everything’s said and done. Writing fiction provides plenty of benefits for your mind and spirit. Don’t let them go to waste!
Writing Perk #3: You have the best emotional release in the world.
There’s a saying that goes, “Never wrong a writer. They get their revenge in print.” There’s another saying that goes, “If a writer falls in love with you, you can never die.” What do these sayings have in common? They prove that writers have the most powerful emotions in the world.
Being a writer, especially a fiction writer, takes a generous amount of vulnerability to pull off. Good fiction demands a fair share of emotion to resonate with the audience, and that means the writer must be an emotional being. We bleed our feelings onto the page and carefully craft our stories to evoke the empathy of our readers, and such an art form takes inspiration from real-life emotions. Fortunately, life provides emotional inspiration in spades.
As a writer, you should never be afraid to use your emotions in your work. When you’re happy, write motivational pieces with positive takeaways. If you fall in love, draw romantic stories or poetry from personal experience. Use a broken heart as the foundation of tragedies, and when someone infuriates you, adapt them into an expendable character and kill them off in the most satisfyingly painful way. In how many other jobs can you say your emotions are your most powerful tools? Use them to your advantage!
Writing Perk #4: You learn new things all the time.
Think of the last time you wrote a story about something you’ve never done before. Chances are you had to do a fair amount of research to get it right, and you probably learned something unexpected while you did. This is one of the most enjoyable parts of writing fiction: you learn something new every day!
Whether you write fantasy/sci-fi novels, historical fiction, or anything in between, at some point during writing, you’ll run into a detail that you’ll have to look up. While research can be tedious sometimes, you can also see it as an opportunity to learn something you never would have otherwise. From ancient mythology to medieval weaponry to space technology, the world is full of fascinating information just waiting to be turned into stories. With all the research it takes to be a fiction writer, we probably learn more doing what we do than all the other professionals out there combined!
Writing Perk #5: You get rewarded for being yourself.
Let’s be honest: the absolute best writing always comes from the heart, and the only way to write from the heart is to be yourself. Hiding behind a mask of civility may get you ahead in the corporate world, but when it comes to writing fiction, imperfection is your greatest asset. No matter what genre you write in, it’s your original voice that will make it unique. You don’t have to be completely crazy (though eccentricity is definitely a plus); you just have to be relatable. And if you’re flawed—or in other words, human—you’ve already got that covered.
One of the most famous writing tips out there is “write what you know”, so when drawing inspiration from people for characters, the best person to start with is yourself. You know your own strengths and weaknesses, so you already have what it takes to create a well-rounded character. From there, work your way up to using other real people as inspiration for characters, and before you know it, you’ll be writing dozens of stories that readers will easily relate to.
Basically, if you’re only writing perfect characters who never deal with conflict in any way, you’re doing fiction wrong. Everyone has their flaws and problems, and if you can be open about yours, you can create meaningful and inspiring works of art, just by being yourself. How is that not the greatest job in the world?
Writing Perk #6: You can make a difference in the world.
There are few forms of writing that make an impact quite the way storytelling does. While nonfiction generally focuses on logic and rational thought, stories have the power to mix truth with emotion in a unique style that appeals to a reader’s entire character, thus making for much more influential writing.
By becoming a writer, you’ve already taken a major step toward making a difference in the world. You don’t even have to change the entire world; the chance to influence even one person’s life is already worth the effort. You may not realize it yet, but you have the power to make a real difference. So share your stories and show people they’re not alone. Inspire those around you and use your words to make life better for everyone. The world could always use more stories, so keep on writing!
Can you attest to any of these perks of being a fiction writer? What other benefits of writing fiction would you add to this list?
There’s nothing quite like being in love, and for a writer who’s passionate about romance, it can be a gold mine of inspiration. I know that ever since I fell in love (most recently), I’ve found it much easier to write romantic stories and poetry, and even fiction in general. There’s plenty of creative inspiration to be found in love, so it’s only natural for artists to include so much of it in their art!
So for fun, today’s post is dedicated to a special someone who inspires much of my creative side. Here are three ways I’ve found that being in love can inspire your writing. Enjoy!
1) Being in love brings out the beauty in life.
As much as it sounds like a scene out of a cheesy romantic cartoon, being in love really does make the world around you more beautiful. And beauty is at the heart of so many of the most sincere and emotional works of art. Ever since falling in love, I’ve had a brighter outlook on life and a much deeper insight into the positive things in the world, and these have certainly manifested in my stories as romantic plots, satisfying conflict resolution, and happy endings.
If you are or have ever been mutually in love, chances are you too have seen the world become a little brighter for it. You may know it poetically as “rose-colored glasses”, “butterflies in your stomach”, or “head over heels”, and maybe it’s even gone as far as to make you want to dance or shout with joy. Don’t limit that light to your real-world experiences; let it guide your imagination too! Write about the fluttering of the heart in a moment of passion or how much more vivid colors become through the eyes of a person in love. If writers should write what they know, then why not write about the magic in your life? It can often make for the most beautiful works of art!
2) Being in love helps relieve stress and anxiety.
Sometimes I don’t even need to be writing romance to be inspired by love. As many writers well know, stress and anxiety can be real creativity killers depending on the kind of stories or poetry you’re trying to write. Unfortunately, the times we’re living in seem to be producing an overabundance of those bad feelings, which can translate into a severe lack of motivation for many of us. Maybe you can turn that anxiety into an aggressive streak of darker stories and poetry if that’s your style, but for writers like me, who favor romance and happy endings, it generally puts me out of the mood to create at all.
So whenever I’m feeling too stressed or anxious to write, I remind myself of how happy my significant other makes me and how good a place I’ve been in since we fell in love. Maybe it goes against the grain of the “tortured artist” stereotype, but I’m sure I do most of my best (or at least most productive) work when I feel emotionally fulfilled and free of tension. That’s not to say one should only ever use positive experiences in their fiction or poetry; after all, conflict is at the heart of every engaging story and many of the most interesting poems, and you absolutely should accept inspiration from your negative experiences too. But if you can, let real-life love motivate you to at least get those words out of your head. Not only is it one of the best treatments against stress and anxiety, it’s also a great cure for writer’s block!
3) Being in love can motivate you to be a better writer.
The great thing about love is that when you find it with the right person, you inspire each other to become better people. If nothing else, being in love gives me the motivation I need to be the best version of myself I can be. The amazing feeling of being loved by someone else pushes me to keep improving in the areas of my life that matter most, and few of those areas matter more to me than my passion for writing.
So I keep on giving it my all when I write, because if I deserve that special someone who works hard for both of us and does everything he can to support my passion, then he deserves someone who will work just as hard to help support him through her craft and keep coloring his life with all the art she creates. Relationships are all about teamwork, and if you’re really in love, you’ll want to put in the effort to make yours work. And if that includes being a better writer, then by all means let your love push you to keep reaching for those creative stars!
What about you? Have you ever been in love? How has that love inspired your writing?
So you’ve just started writing fiction, but you’re not sure you’ve got what it takes. You’re afraid you’ll fail, that you’ll make a ton of writing mistakes and you’ll never be that amazing artist you hope to be someday. Or worse, maybe you think you’ll kill it as soon as you start, and your writing will be so awesome right out of the gate that you’ll never have to practice and improve (only to wonder years down the road why no one ever reads your incredible stories). Whether you suffer from imposter syndrome or unfounded arrogance, your expectations of writing are unreal.
Because guess what? Every writer makes mistakes! That’s how we learn and get better at our craft. But if you want to avoid learning some lessons the hard way (and I don’t blame you), it never hurts to turn to writing resources for help. So for all you blossoming writers out there, here are six common writing mistakes you’re bound to make at least once. Keep an eye out for these the next time you sit down to write!
Writing Mistake #1: Stopping at the first draft (i.e. not editing)
The first draft of anything is sh*t. – Ernest Hemingway
Let’s get this one out of the way first. A common mistake many new fiction writers make (including me when I started) is to write a full story, then set it aside and never touch it again. An important rule of fiction writing: Every piece must go through editing before it’s finished. To be fair, this isn’t as big a deal with private writing, but it’s still good practice for when you’re ready to start sharing your work.
The truth is nothing you write is going to be perfect the first time around. Never assume you’ve created a masterpiece on your first try; even the greatest authors in the world need editors to help them shape their writing into publishable work. Heck, the blog post you’re reading now went through several rounds of revisions before I published it, and it still isn’t perfect!
So don’t stress about making something awesome right away. If anything, let this fact take away the pressure of having to write well all the time. Just write first, worry about making it publishable later. That’s what editing is for.
How to fix this writing mistake
Edit! Edit like your life depends on it, because your story’s life does. Readers don’t appreciate stories because they come out brilliant on the first try, but because the writer took the time to shape that first idea into a polished piece of art. Always make sure your work is worthy of publication before you share it. Need help? You don’t have to do it all alone; that’s what editors are paid for!
Writing Mistake #2: Using flowery language (i.e. purple prose)
Eschew surplusage. – Mark Twain, “Fenimore Cooper’s Literary Offenses” (1895)
There’s this myth among beginning writers that the best way to be taken seriously is to sound as smart as possible. Maybe you’re insecure about your limited knowledge and vocabulary, so you stuff your stories with fancy words and fluffy sentences, then pat yourself on the back for creating distinguished and eloquent prose. Surely now you’ve proven yourself a great writer, right?
Wrong. While you may think all that fancy writing will give you credibility, you’ve actually just exposed yourself as an amateur. This common writing mistake is known as purple prose, and it can kill your story before it even starts. Counterintuitive as it sounds, using “smart” words and flowery language actually has the opposite effect of driving readers away, because the only people who waste their time reading stories they can’t understand are high school students trying to pass English. Everyone else wants a good story, not a vocabulary lesson.
Purple prose comes in a variety of flavors:
- big, difficult, pretentious words;
- flowery detail;
- too many adjectives and adverbs;
- said bookisms (only using words other than “said” as dialogue tags); and
- exaggerated sentiment (trying to “force” readers to feel certain emotions).
If you’re guilty of making any of these mistakes, stop and rewind. When you edit, make every effort to weed out the purple and strip your story down to the bare bones. You may have trouble getting used to this style, but in time you’ll find that concise and direct writing is the most effective form of storytelling.
How to fix this writing mistake
Replace big words and phrases with simpler ones, remove unnecessary adjectives, and cut out details that do nothing for your story. The idea is to sound as natural and direct as possible so you’ll connect with your readers. When in doubt, read your work out loud; if a word or phrase sounds strange, like something you’d never say in real life, delete it or replace it with a more common alternative.
Writing Mistake #3: Getting crazy with the punctuation!!!
Jake: Ok, I’m excited. I just don’t happen to like exclamation points.
Elaine: Well, you know, Jake, you should learn to use ’em! Like the way I’m talking right now, I would put exclamation points at the ends of all of these sentences! On this one! And on that one!
– Seinfeld (Season 5, Episode 4 – The Sniffing Accountant)
Of all the ridiculous situations in Seinfeld‘s nine-season run, few top the time Elaine screwed up her relationship over punctuation. The irony: her boyfriend was a writer whose book she was editing, and he was probably right not to use those exclamation points.
When writing fiction, punctuation is something you don’t want to mess up, because this mistake translates as lazy or incompetent writing. Trust me on this: As much as a scene calls for over-the-top excitement, you don’t need three exclamation points to get your point across. When you overuse punctuation, you’re conveying one of two messages to your reader:
- you don’t trust your writing enough to express emotion through words alone, or
- you don’t trust the reader to grasp the emotion in your words without help.
Either way, it doesn’t make you look good. Writers should always take care not to patronize their audience, and one of the easiest ways to do that is by using exclamation points and other punctuation marks where you don’t need them. That’s not to say you should avoid them altogether; you just shouldn’t use them as a crutch. Instead, trust your words to convey the right messages and emotion on their own. Remember that punctuation is simply an organizational tool; the focus should always be on your words.
How to fix this writing mistake
Stick to normal punctuation. Use exclamation points sparingly, avoid multiple punctuation, and know how to use commas, apostrophes, colons, semicolons, and hyphens correctly. When in doubt, turn your work over to a proofreader.
Writing Mistake #4: Writing dialogue that falls flat
I confess: even after writing fiction for nearly my whole life, I still have trouble with dialogue. Maybe it’s because I’m shy and have little experience talking to people, but this seems to be my Achilles heel when it comes to writing stories. If you feel this is your weak point too, don’t worry, you’re not alone. In fact, dialogue is so hard to get right that this writing mistake could take up its own blog post, but for the sake of brevity, let’s focus on the main point.
In a nutshell, dialogue is difficult to write well because it’s not quite speech and not quite narrative, but instead constitutes a class of its own. We think differently when we speak than when we write, so it takes a lot of practice to master the balance between both. Writing good dialogue involves removing the boring parts of everyday speech—pauses, ums, stutters, etc.—and refining it to a form that reads naturally while still conveying information relevant to the story. And while this may sound simple on the surface, it can take years of practice to learn how to:
- cut out the unnecessary parts of speech,
- make characters sound natural,
- give each character a distinct voice, and
- use a conversation to move the story forward.
So don’t feel bad if you’ve been writing for a long time and still struggle with this technique. Just keep practicing, and you’ll be writing good dialogue before you know it.
How to fix this writing mistake
Read your dialogue out loud and see how believable it sounds. If a phrase or sentence sounds odd, try to rephrase it in a way that a real person with your character’s background would say it. If you find this difficult, start paying attention to how people talk and incorporate more of their speaking styles into your writing (but not too much!). Condense dialogue as much as possible and make sure it always moves the story forward.
Writing Mistake #5: Telling more than showing
Don’t tell me the moon is shining; show me the glint of light on broken glass. – Anton Chekhov
From creative writing courses to author blogs, we see this writing advice everywhere: show, don’t tell. This means that instead of outright stating a fact, you should give clues that help your readers figure the fact out for themselves. This technique is designed to create an immersive and engaging experience for your readers, and will often make the difference between a good narrative and a great story.
Granted, there will be times when telling is necessary because showing is impossible—such as telling exactly what a character is thinking or how an event has changed them internally—but conveying a simple idea or action in vivid imagery will add emotion and depth to your story. Instead of focusing on the idea itself, understand what makes that idea apparent and use those details to color the narrative. If a character is sad, describe the tears on her face or the way she hangs her head when someone talks to her. If it’s raining, describe your character hopping over puddles as he runs to the bus stop under a wet umbrella. Wherever possible, set the scene and let your audience fill in the blanks.
Good storytelling is not just telling people a story but bringing them on an emotional journey with you. So the next time you feel compelled to tell readers what’s going on, take a step back and assess how much you should tell and how much you can show instead. Master this balance and you’ll be one step closer to writing truly amazing stories!
How to fix this writing mistake
Read your story back and determine where the narrative falls flat. Highlight the passages that tell you something (e.g. “she was happy”, “it was a clear day”), then rewrite them in a way that will show you the same thing (e.g. “her laughter rose above the din”, “sunlight gleamed off the surface of the water”). Read through the story again and maintain the changes that make the narrative stronger.
Writing Mistake #6: Not writing!
Yes, believe it or not, this is a common problem for beginning and advanced writers alike: not writing. Sounds counterintuitive, right? I mean, how can you be a writer if you don’t write?
That’s just it: you can’t. But too many writers get so caught up in brainstorming, researching, self-editing, and worrying their work isn’t good enough that they don’t set aside enough time to actually write. It should go without saying that writing is the most important part of… well, writing, but most of the time, it’s just not that easy. When you sit for too long without doing any work, you succumb to deep-seated fears of failure and rejection, and before you know it, you stop writing before you even start.
So if you find yourself stuck in writing limbo, do yourself a favor and close your mind off to all your fears. Don’t stress about any of the other aspects of writing; just sit down and write. I know this is much easier said than done (speaking from experience), but once you get those words flowing, everything else will start to fall into place. Remember, unless you actually write, all those other steps are just a waste of time. Don’t be an “aspiring writer”; get out there and write!
How to fix this writing mistake
Write! Don’t worry about researching or editing or publishing or dealing with criticism yet. Just write. The rest will follow.
What about you? Are you guilty of making these writing mistakes? What other mistakes would you add to this list?