Word of the Week: Obsequious
Word: obsequious
Pronunciation: əb-SEE-kwee-əs
Part of Speech: adjective
Definition: obedient or attentive to an excessive or servile degree
Source: Oxford Dictionaries
Jamie: What do you mean you told him not to go out with me?
Ira: What do I know? I met you one time; you kept showing off your vocabulary!
Jamie: [to Paul] You never told me he didn’t like me.
Paul: Because you were so down on him, I didn’t want to fuel the fire.
Ira: Wait, wait, wait, you didn’t like me?
Jamie: On first impression, you were a little obsequious.
Ira: You see? There, you’re doing it again!
– Mad About You (Season 3, Episode 19 – Money Changes Everything)
The first instance in which I can remember hearing the word “obsequious” was in an episode of Mad About You. During an argument over one of Ira’s bad decisions, Jamie finds out that he initially disliked her for her pretentious use of advanced vocabulary. To make matters worse, she proves his point by calling him out on his overeagerness to please in the most patronizing way possible. But then again, knowing Ira, there’s always the chance Jamie simply used “obsequious” in place of “obnoxious”, either purposely to confuse him or by mistake because her husband’s cousin did have a tendency to be irritating in more ways than one.
An “obsequious” person is someone who is attentive or obedient to the point of excess. The word arose in the late 15th century as a non-depreciatory term and comes from the Latin noun obsequium, meaning “compliance”. This noun is derived from the verb obsequi, which means “to follow” or “to yield to”.
I have yet to work the word “obsequious” into my fiction, but I could definitely see myself using it to describe some of my characters who go out of their way to please others. Although the word didn’t originally have a negative connotation, its modern definition seems to suggest a level of obedience that borders on annoying, which I suppose makes it a sort of formal synonym for “kiss-ass”. If you tend to write characters who are relentless people-pleasers, “obsequious” may be an excellent adjective to use in your stories. With any luck, you may even teach your readers a new word!
Jamie: [muttering] Plenty of people use “obsequious”.
What are your thoughts on this word? Any suggestions for future “Word of the Week” featured words?
Math Test
(What If? Exercise: Read the description here.)
Ms. Miller listened absently to the ticking of the clock, the only sound left in the classroom after her students simultaneously lowered their heads. Every last millisecond used to count, she remembered as she gazed longingly at the silver medal on her desk. Funny how a single leg injury could change everything.
—
Mary scribbled on her test paper as if she were deciphering a secret code for the military. Her father promised he would take her out for ice cream if she passed the semester with straight A’s. She was beginning to wonder if he would ever come back and make good on that promise, but for now, her only concern was mastering algebra.
—
Jane subconsciously snapped her pencil in half when she saw Michael staring at Laura’s behind. How silly she had been to think that pen-dropping incident was their special moment. He could beg all he wanted; she wasn’t helping him cheat this time.
—
As always, the numbers sat there quietly and encouraged George like puzzle pieces falling into place under his pencil. They never bullied him, or yelled at each other in front of him, or got drunk and beat him until he cried. George realized then why he loved math so much: it was the only thing in his life that made any sense.
—
By the time the bell rang and Johnny handed in his test, only half the problems had answers, and he knew half of those were wrong. In the hallway, he whistled a merry tune as he crossed paths with the cute girl who was a year behind him. Maybe next year, he would finally get to sit next to her.
These pieces are based on What If? Exercise 97: “Nanofictions”. The exercise is to write five flash fiction pieces of three sentences each, which may or may not be connected by a common detail. The objective is to understand how to focus immediately on a troubled situation and learn how to identify the details of drama. I hope you enjoy what I’ve written. Thanks for reading!
Writer’s Toolkit: Grammarly®
Remember that Grammarly quiz I shared last month in celebration of Grammar Day? Well, around the same time, the good people over at Grammarly offered me a free trial of their grammar checker as a gift for the occasion! Naturally, it was the perfect opportunity to try it out and write a review on it for my Writer’s Toolkit segment. After all, even the best writers need a little help checking their spelling and grammar, right?
So without further ado, here is my review of the Grammarly grammar checker. Enjoy!
About Grammarly
Grammarly, or the Grammarly®Editor, is a spelling and grammar checker that automatically proofreads text in English. According to the site’s product page, Grammarly “corrects contextual spelling mistakes, checks for more than 250 common grammar errors, enhances vocabulary usage, and suggests citations”. Aside from its primary function as a proofreader, the editor also features a thesaurus that suggests improvements on word choice and a plagiarism checker that compares text with over 8 billion pages on the Web.
Grammarly offers a few features for free, such as the quick grammar checker on their home page and the Google Chrome plugin that automatically checks any text you type in your browser. The full version can be accessed via premium subscriptions of $29.95/month, $59.95/quarter ($19.98/month), or $139.95/year ($11.66/month).
My free trial of Grammarly lasted for one month, during which time I used it to proofread my stories and blog posts. I also installed the Grammarly plugin on my Google Chrome browser, which for the purposes of this review is considered an extension of the full proofreader on the Grammarly website. Since I work on a Mac, I was not able to test the Microsoft Office add-in.
Pros
The first thing I noticed when I started using the Grammarly proofreader is that it doubles as a teacher. When the editor catches an error, it doesn’t just tell you that it’s wrong; it tells you why it’s wrong. This is immensely useful for learning about mistakes you didn’t even know you were making so you can avoid making them again. I’ve already learned a couple of grammar rules myself! Explanations include examples of correct and incorrect uses, and a fun little bonus is the score in the bottom right corner that evaluates how grammatically correct your text is overall. It’s like having your own private grammar tutor!
Another handy feature is the vocabulary enhancement thesaurus. The editor flags words it finds too common or repetitive and suggests replacements that may improve the quality of the text. It can also check a document against pages across the Internet to identify possible plagiarism, and while I confess that I only tested this a few times, it seems to work fairly well. Both of these features can be toggled on and off, which makes them optional additions to an already powerful proofreading tool. And yet another bonus is the preset configuration list for types of documents ranging from formal to creative writing, so you can actually teach the editor what sorts of errors you want it to focus on when proofreading your text!
The Google Chrome plugin also deserves an honorable mention, as it brings all of Grammarly’s features to any web page on which you write. When you type into a text box, an icon appears in the corner and automatically updates a number to indicate how many errors are being detected as you type. Hovering over this icon will open a small tab that shows you how many advanced and critical errors are in your text at the moment, and clicking in this tab or on the explanations that appear when you hover over underlined errors will open the Grammarly editor directly on the page, so you can edit your text without having to navigate away. It even seems to learn your writing style the longer you use it. That’s pretty neat!

The Grammarly®Editor, online version
Cons
It’s worth noting at this point that the gentleman who set me up with my free trial of Grammarly mentioned its usefulness as more of a “second set of eyes” as opposed to a replacement for a professional proofreader. After trying it out a few times, I quickly realized what he meant. The proofreader points out whatever it believes may be an error, but it can’t always take the full context of the document into account. Sometimes it incorrectly marks an alternative grammar choice as an error, and other times it misreads the context and lets a mistake slide. This issue was already thoroughly covered in a review by Grammarist, so I won’t go into detail here. In all fairness, that article was written over three years ago, during which time Grammarly does seem to have improved on its shortcomings, but it still can’t fully compensate for the judgment of a human being. Grammarly is good for catching errors you missed yourself, but if you need to proofread a whole book, your best bet is to hire an editor.
Perhaps the biggest drawback I noticed while testing Grammarly is that it isn’t entirely relevant to my style of writing. This isn’t necessarily a con, per se; more of an observation of how the editor seems to be specifically geared toward strictly formal composition. Most of the documents I pasted into Grammarly were short stories, and while the proofreader was right to catch many of my supposed errors (even when set to “Creative – Short Story”), over 90% of them were left untouched due to being creative choices on my part as opposed to actual mistakes (e.g. character dialogue or first-person narrative intended to sound “real”). Perhaps this is more of a testament to the perfectionist editor in me than to Grammarly’s limited usefulness, but I still think it’s worth mentioning for the benefit of writers as meticulous about grammar as me. If you know exactly what mistakes you’re making, you don’t need to pay for an automatic proofreader to tell you the same thing.
I should also mention that I do much of my writing on an iPad, and though I was able to use Grammarly well on my laptop, I couldn’t access it at all through my mobile device due to incompatibility issues. I can’t say if the editor works on non-iOS devices because I don’t own one, so this is mostly a note of caution to Apple users, but it may apply to anyone who frequently writes on a smartphone or tablet. Until Grammarly comes out with a mobile app, you’ll have to make due with your device’s built-in spell checker.
Summary
Pros
- Grammatical error corrections with explanations
- More thorough than standard word processor spelling and grammar checkers
- Built-in thesaurus for vocabulary enhancement
- Plagiarism checker
- Settings for different types of documents
- Google Chrome plugin for universal use
Cons
- More useful for formal writing than creative writing
- Misses some grammatical errors
- Incorrectly marks some alternative grammar choices as mistakes
- Incompatible with mobile devices
Conclusion
Is Grammarly worth your money? I’d say that depends on three factors: what you write, how often you write, and how proficient you are at editing on your own. If you’re constantly typing up formal documents, articles and emails that require impeccable spelling and grammar, a premium subscription to Grammarly may be just what you need. If, however, most of your writing consists of poetry or stories that experiment heavily with form and style, then a standard free grammar checker may suffice. Use your discretion when deciding how much help you really need to edit your work.
Based on my brief experience with it, Grammarly certainly seems to warrant the respect it gets, and though I may not need it now while my writing is concentrated in the experimental short story format, I may consider attaining a full subscription for future proofreading of my novels and academic papers (both of which are included in the aforementioned preset list). In any case, Grammarly has certainly gained this writer’s attention, and I believe it deserves the attention of any writer looking for a better automated editor than what the standard word processor has to offer. To paraphrase the famous proverb, your grammar is only as strong as your weakest misplaced comma.
Bonus: I used Grammarly to proofread the first draft of this blog post. Before editing and after including vocabulary and plagiarism checking, it came out to 35 critical issues and a score of 91 out of 100. Thanks, Grammarly!
Today’s creative writing post is brought to you by Grammarly, the World’s Best Grammar Checker. I was not compensated for this review. All opinions expressed here are my own. For more information on Grammarly, visit http://www.grammarly.com/grammar-check. Thanks for reading! Happy writing!
Word of the Week: Apocryphal
Word: apocryphal
Pronunciation: ə-PAH-krə-fəl
Part of Speech: adjective
Definition: of doubtful authenticity, although widely circulated as being true
Source: Oxford Dictionaries
And we’re back to the flashcards. I’m sure I’ve heard or read the word “apocryphal” elsewhere before, but when I think about it, the only place I can clearly remember seeing it is on a standardized test prep flashcard. Perhaps if I had made a note of it back then, I could have used it in some of my stories. It does, after all, have a lot to do with fiction.
An “apocryphal” story or statement is one that isn’t confirmed to be true, despite being widely considered as such. The word is the adjective form of the noun “apocrypha”, which means “writings or reports not considered genuine”. This noun is originally Latin and comes from the adjective apocryphus “secret writings”, which in turn is derived from the Greek adjective apókruphos, meaning “hidden” or “secret”.
I almost want to say that there was a time when I thought the word “apocryphal” had something to do with the Apocalypse. Despite the mistake, the relation to the Bible wasn’t such a wrong conclusion, since the Apocrypha refers to “biblical or related writings not forming part of the accepted canon of Scripture”. In its common sense, I suppose “apocryphal” could be a fancy way of referring to rumors, so if your characters like to gossip, this may be a good word to describe their unauthenticated stories! Good luck!
What are your thoughts on this word? Any suggestions for future “Word of the Week” featured words?
The New Girl
(What If? Exercise: Read the description here.)
She thought she was so special, that gringa. Everyone liked her. Everyone wanted to talk to her. Just because she came from America. So what? The girl couldn’t even speak a word of Portuguese! What was she doing in a seventh-grade classroom in Brazil? The whole first week she was here, she didn’t open her mouth once. Who wants to be friends with a girl like that?
She was useful for English class; I’ll give her that. She even kept a Portuguese-English dictionary in her desk at all times. I borrowed it more than once. She never offered it, though. She liked the popular girls better, I could tell. They were the ones who always talked to her and tried to teach her Portuguese. I went to school with these girls for years and they wouldn’t give me the time of day. This stranger was around for five minutes and somehow she deserved all their attention? Please. She wasn’t even as pretty as them. I bet they were just using her for help with English too.
One day, the Geography teacher made us work in groups of three. My friend and I got stuck with the American girl. I could see up close that she wasn’t so special as all that. I pointed out her flaws to my friend: that stupid ponytail, those dorky glasses, the silly way she’d tilt sideways when she wrote. I didn’t think she’d understand what I was saying anyway. Not until I saw the pitiful look in her eyes. She went home in tears. Crybaby.
My friend and I got in trouble the next day. Turns out the gringa had told her mom what happened, and her mom had talked to the principal. On top of everything else, the girl was a tattletale.
She thought she was so special, that gringa. But I knew what she really was: no better than me.
This story is based on What If? Exercise 66: “Bully”. The exercise is to write about a factual incident from the first-person perspective of someone who bullied you as a child. The objective is to practice writing a “villain” by taking over the persona of someone capable of brutality and making that character three-dimensional. I hope you enjoy what I’ve written. Thanks for reading!


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